Thursday, December 9, 2010
New Work
These are really new, not sure how I feel about them yet but that could be a good sign. I needed a process that was quick and fluid after working on those triangle paintings. I definitely want to try this on a larger scale. The text - Rest Note, Sleep Jump, and Balance Check have been stuck in my head for a while. I did a series of paintings using images of rest notes in 2007. Balance Check is a name of a mixed cd, which came to me as I was watching an olympic gymnast doing a balance beam routine a few years ago. And I've been fascinated with the sleep jump when I heard it mentioned in a Radiolab episode. Not having a real plan in place, I decided to make templates and started looking around for the right font. After consulting Able Parris (who loves typography) I decided to run with blaktur, because I thought it might be funny to make some dry conceptual paintings in the style of a rock poster. Then that idea seemed silly and I ended up mashing everything together, using thin coats of spray paint and the text templates in several layers. These layers were on top old painting experiments, so there is a lot of subtle texture not to mention the remnants of a floppy disc.
Triangle is the Strongest Shape (sunset series)
Triangle is the Strongest Shape 1 (sunset series)
Cole Pierce, 2010
Acrylic, Oil and Spray paint on Canvas
65"x65"
"This project is supported by a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and Illinois Arts Council, a state agency."
Triangle is the Strongest Shape #4
I may have posted this before but I just cleaned up some details that were bothering me and took a better photo.
Triangle is the Strongest Shape #4
Cole Pierce, 2010
40"x40"
Acrylic on Canvas
"This project is supported by a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and Illinois Arts Council, a state agency."
Thursday, December 2, 2010
Sutro Tower Triangle Waves
Sutro Tower Triangle Waves (2010)
Oil, Acrylic and Spray Paint on Canvas
4"x6"
Wednesday, November 3, 2010
Tuesday, October 26, 2010
Triangle is the Strongest Shape (Setting Sun) 1
Triangle is the Strongest Shape (Setting Sun) 1
Cole Pierce, 2010
Oil, Spray Paint and Acrylic on Canvas
65"x65"
Saturday, September 25, 2010
GLI.TC/H at Transistor, Oct 1st
The program is from 8 - 9PM, followed by performances from 9 - 11:30PM. Here is the schedule.
Video Program
8 PM, Friday Oct 1
TRANSISTOR
5045 N. Clark St.
Chicago IL
GLI.TC/H is an international gathering of noise & new media practitioners in Chicago from September 29 thru October 03, 2010!
GLI.TC/H features: realtime audio & video performances with artists who misuse and abuse hardware and software; run-time video screenings of corrupt data, decayed media, and destroyed files; workshops and skill-share-sessions highlighting the wrong way to use and build tools; a gallery show examining glitches as processes, systems, and objects; all in the context of ongoing dialogues that have been fostered by experimentation, research, and play. GLI.TC/H is a physical and virtual assembly which stands testament to the energy surrounding these conversations.
Projects take the form of: artware, videos, games, films, tapes, code, interventions, prints, plugins, screen-captures, systems, websites, installations, texts, tools, lectures, essays, code, articles, & hypermedia.
GLI.TC/H-BUMPER from theodore darst on Vimeo.
Tuesday, September 21, 2010
GLI.TC/H Bumper - 2010.09.29 - 2010.10.03
This is a 30 second bumper I made for GLI.TC/H, where a video of mine will be screening.
GLI.TC/H is an international gathering of noise & new media practitioners in Chicago from September 29 thru October 03, 2010.
Thursday, September 16, 2010
Thursday, July 29, 2010
Post perspectivam
Have we here the ultimate heir to Alberti's window? Just as the Renaissance artist transferred his earthly subject, square by square as seen through the gridded veil, onto his smaller-scaled picture surface, so the CCD collects cosmic light through the telescope, pixel by pixel, and then converts each photon impulse into a digitized electronic signal and sends it to a television monitor. Celestial bodies are perceived and revealed against the deep-sky background by the luminosity fluctuations and changes in brightness recorded by the individual pixel across the CCD grid. These digitized encodings can then be translated into computerized colors. Since the actual hues of the celestial subject remain invisible, however the image processor (as the CCD artist is now professionally called), even though equipped with spectrum sensors and chromatic filters, must still make decisions based on aesthetic preference just as do modern artists - or one might even say like medieval artists trying to comprehend the ineffable colors of the heavenly empryean.
The Mirror, the Window and the Telescope, How Renaissance Linear Perspective Changed Our Vision of the Universe, by Samuel Y. Edgerton (pp 171-172)
Tuesday, July 20, 2010
Vombies and Vampires on Headphone Commute
After his previous appearance on Headphone Commute with an excellent modern classical mix, Later, Cole Pierce returns with a grab-bag of soothing summer tunes that cut through the heat, your ears, and your heart. Just like the last time, this mix is actually in two parts: Zombies and Vampires, presented here in one piece for your enjoyment. Expect the unexpected, smolder and rejoice!
Field Mic Named 'Best Amateur Music Blog' by Chicago Reader
The music blog that I co-author was just named 'Best Amateur Music Blog' by the Chicago Reader. If you haven't spent time with Field Mic, please do.
Chicago-based monolith Pitchfork has a profound influence on the gravitational field of the indie-rock universe, not to mention its own festival. But what about the little guys, who don’t pay attention to release cycles and aren’t driving the zeitgeist—the folks who don’t share the blogosphere’s obsession with being the first to cover the next new thing? Instead of slathering adjectives all over Best Coast seven-inches, Field Mic collects what it calls “sound from the field.” That means several posts a day that range from performances of music by little-known contemporary composers to video of oddball circuit-bent instruments and elaborate mechanical ensembles that play themselves, along with the occasional dude-and-guitar clip or actual music video. The blog is ecumenical in its tastes, though it leans a little toward the electroacoustic and ambient—and there are absolutely no reposts of clubby remixes of popular indie bands. Founded in April and curated by three far-flung editors—Chicago audiovisual artist Cole Pierce, Brooklyn-based New York Times blog specialist Jeremy Zilar (who also runs Silence Matters), and North Carolina collage artist and designer Able Parris—Field Mic doesn’t offer deep analysis, usually just a sentence or two of enthusiastic explanation. It’s heavy on reader submissions, and every page is charged with the thrill of someone with a brilliant new discovery he’s aching to pass along to the wider world.—Jessica Hopper
DANNY THINK TANK
This weekend Danny Think Tank goes public, in the form of a group art show in a borrowed apartment. DTT is the name that my friends from grad school and I have given to the studio critiques we do 2 or 3 times a year. We were given the opportunity to exhibit work during the Milwaukee Ave Art Fest, a neighborhood festival in Logan Square (Chicago) complete with outdoor concerts and visual art exhibitions in businesses and empty storefronts. Thanks to Felix and Victor, we get to use a huge 3 bedroom apartment that is currently vacant. It came with a pink/purple bedroom and 2 taxidermied lions. We use the purple room brilliantly, but we just could not find a place for the lions. The MAAF website states me as the curator, but really I'm the project manager. The Danny Think Tank curated this show as a group. We'll be there Friday, Saturday and Sunday so if you're in the area please stop by. Its right above Disco City.
Press Release:
Danny Think Tank will feature recent work of 11 Chicago based artists, showcasing a survey of contemporary practices. The ongoing dialogue within Danny Think Tank will guide the curatorial decisions as the group responds to the unique location. The exhibition will take place in a vacant loft/apartment, exhibiting a collection of paintings, photography, collage, sculpture and video.
Milwaukee Ave Art Fest July 23-25
2628 N. Milwaukee Ave, 2nd floor (apartment above Disco City)
Chicago, IL
Friday - Opening 6-10pm
Sat & Sun noon-11pm
Curt Bozif
Derek Chan
Ryan Fenchel
Dan Gunn
Roxane Hopper
Lisa Majer
Stephen Nyktas
Cole Pierce
Julie Rudder
Kendrick Shackleford
Craig Yu
Saturday, June 26, 2010
Zombies and Vampires
Zombies & Vampires by Colepierce on Mixcloud
Hi Friends,
I've got your summer jams right here.
Download a zip from sendspace if you wish.
Friday, June 25, 2010
Danny Think Tank at Milwaukee Ave Art Fest
I'll be exhibiting some new work in a few weeks. Stop by, say hello.
Danny Think Tank
2628 2nd floor N. Milwaukee
Chicago, IL
Fri 4pm-11pm | Sat & Sun noon-11pm
Along 1.5 miles of Milwaukee Avenue
(between Kimball and California)
Tuesday, June 8, 2010
Saturday, June 5, 2010
Triangle is the Strongest Shape (Blue Gradient)
Zombies & Vampires
Monday, May 10, 2010
Friday, April 30, 2010
Sunday, April 25, 2010
Wednesday, April 7, 2010
Disorientation
Disorientation is manipulated found footage, which was originally an instructional film produced by the FAA concerning pilot's vertigo. Pierce found this film dubbed to VHS, and decided to use this given content to explore the idea of disorientation by way of experimental abstraction. He distorted the video through a process of applying sticky tape to the VHS tape, which removed random bits of information. After digitizing this distorted video, Pierce isolated one clip that especially blurred the line between recognizable image and abstraction. When this clip was slowed down and paired with Cinchel's ambient guitar, the pace of the distortions creates a gentle hypnotic meditation offered an alternate take on the idea of disorientation.
Tuesday, March 30, 2010
Disquiet review of "Too Late Distracted"
SKITTERY SOUNDSCAPE MP3
Cole Pierce refers to his track “Too Late Distracted” as a “textured electronic soundscape exploring a structure in flux,” and he goes a step further by employing the word “skittery” to qualify the effort.
The work in question is reportedly derived from a collaboration withTyler Carter, who like Pierce houses his music at the great community site soundcloud.com. Pierce is at soundcloud.com/colepierce, Carter at soundcloud.com/tyler-carter, and the two of them apparently can make beautiful jittery ambience (or skittery soundscapes) together.
Too late distracted by colepierce
Like many solid efforts in abstraction, the piece includes its own decoder ring. While it eventually expands into a spacious if serrated sound field, it opens with the sort of all-rough-edges effect that Pierce’s chosen adjective, “skittery,” suggests. The introduction’s distinction from the majority of the track is plainly evident in the waveform that appears in the SoundCloud player (see above); it’s the short, bottle-brush tail that wags the music’s dog.
That initial segment is all stop’n’start glitch noise, and it sets down the textural equivalent of a downbeat before Pierce ventures into more quasi-ethereal realms. While the work does achieve a certain level of cloudy haze, it’s still marked throughout by the stuttered, broken-glass vibe of its opening salvo.
Original track at soundcloud.com/colepierce. More on Pierce atcolepierce.com. He was previously featured on this site in mid-October of last year (disquiet.com).
Sunday, March 28, 2010
Later featured on Headphone Commute Podcast
Friday, March 26, 2010
Fishing, 2010
Fishing, 2010
Video - Cole Pierce
Audio - Kendrick Shackleford and Cole Pierce
Fishing was created from footage captured with an underwater video camera attached to fishing line and controlled by a fishing pole in the middle of Lake Hayward, WI. Governed by chance, the video drifts back and forth between chaos and order. The murky green monochrome and shifting pattern of bubbles is a sublime landscape that occasionally gets interrupted by the reality of a school of fish swimming by. The soundtrack is equally alienating, which is an ambient glitch filled soundscape of processed guitar, ethereal textures and a flux of structures created by Cole Pierce with help from Kendrick Shackleford and Tyler Carter.
Thursday, March 25, 2010
Audio
Saturday, February 27, 2010
Friday, February 26, 2010
Wednesday, February 24, 2010
Charles Dickens, The Old Curiosity Shop (1841) pp 180-182
Tuesday, February 9, 2010
New Work
Wednesday, February 3, 2010
Tuesday, January 26, 2010
Weird Email
Date: Thu, 1 Feb 2001 19:16:05 +0000
Like a white dove flying blindly through an arctic blizzard, his body approached mine. Even from across the bar I could tell it was him from the horseshoe shape of his hips. I tried relaxing my clenched fists hoping not to give away my nervous excitement. There was no doubt that he was coming towards me. I looked up from the Mortal Kombat machine to meet his inviting brown eyes. His acne scars had faded substantially, but his tell-tale greased ponytail induced a wave of familiarity like none I had ever felt. I abandoned the joystick to reach out and shake his rugged, arthritic hand. Ignoring my gesture, his hand swooped around my back and pulled me close to his body. I stared cautiously into his eyes as I felt his hands reach down towards my buttocks. I felt relief and validation for my recent switch to cloth diapers. The crinkly, plastic feeling of the old diapers is now reserved for weddings, funerals, and Monday night football. His hands reached up to grip my shoulder blades as his neck extended forward to move his face up to mine. My upper lip began to tremble and snear in anticipation of his bristly, walrus-like moustache. His tongue swabbed his swollen, brown lips before they puckered and twitched just millimeters before me. I first felt the contact of the course whiskers just a half of a heartbeat before the warm rush of......uh............
Anyway Tyler,
everybody's dying to know if you've made
any definitive plans for next year.
Cole? What about you buddy?
Anway,
Peace in Belgium dude.